Rabu, 27 September 2017

Ebook Free The Tenth PlanetBy Dean Wesley Smith, Kristine Kathryn Rusch

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The Tenth PlanetBy Dean Wesley Smith, Kristine Kathryn Rusch

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The Tenth PlanetBy Dean Wesley Smith, Kristine Kathryn Rusch

2017: NEAR THE PLANET URANUS

After a deep-space satellite mysteriously stops transmitting, the Hubble III telescope picks up a startling image. Astronomers don't know what the strange object is--only that it orbits past Earth every two millennia.

Meanwhile, archaeologist Leo Cross has discovered peculiar layers of black residue at dig sites around the globe. Stranger still, these thin bands occur like clockwork every 2,006 years, coinciding with some of the world's darkest moments in history.

We have six months to prepare for the next arrival. This time we know something is coming. This time we have weapons to defend us.

This time we'll be wrong . . . again.

A science fiction saga set on near-future Earth, THE TENTH PLANET challenges our basic beliefs about the solar system and ultimately our place in the universe. With cutting-edge astronomy, blockbuster action, and high drama, the mystery is revealed in a trilogy of adventures.

  • Sales Rank: #3704251 in Books
  • Published on: 1999-05-29
  • Released on: 1999-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .50" w x 5.50" l, .78 pounds
  • Binding: Paperback
  • 272 pages
Features
  • ISBN13: 9780345485151
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Inside Flap
2017: NEAR THE PLANET URANUS

After a deep-space satellite mysteriously stops transmitting, the Hubble III telescope picks up a startling image. Astronomers don't know what the strange object is--only that it orbits past Earth every two millennia.

Meanwhile, archaeologist Leo Cross has discovered peculiar layers of black residue at dig sites around the globe. Stranger still, these thin bands occur like clockwork every 2,006 years, coinciding with some of the world's darkest moments in history.

We have six months to prepare for the next arrival. This time we know something is coming. This time we have weapons to defend us.

This time we'll be wrong . . . again.

A science fiction saga set on near-future Earth, THE TENTH PLANET challenges our basic beliefs about the solar system and ultimately our place in the universe. With cutting-edge astronomy, blockbuster action, and high drama, the mystery is revealed in a trilogy of adventures.

About the Author
Dean Wesley Smith was a founder of the well-respected small press Pulphouse. He has written a number of novels--both his own and as tie-in projects--including Laying the Music to Rest and X-Men: The Jewels of Cyttorak.

Kristine Kathryn Rusch is the Hugo and World Fantasy Award-winning former editor of The Magazine of Fantasy and Science Fiction. She turned to writing full-time two years ago. She, too, has written a number of original and tie-in novels, including the Fey series and Star Wars: The New Rebellion.

Excerpt. © Reprinted by permission. All rights reserved.
August 16, 2017: 16:04 Universal Time
240 Days Until Arrival

International Space Monitoring Buoy Number Six was alone. Since it had left Earth over three years ago, it had been alone, traveling through the depths of space to the seventh planet, Uranus, then settling into a wide elliptical orbit. For the past six months, ISMB 6 had faithfully done its job, taking readings of the surface of the planet, using its cameras and sensors and equipment to explore the outer reaches of the solar system.

ISMB 6 was a hardworking little craft, although from the outside it seemed like little more than a piece of space junk in an area devoid of anything else man-made. A silver craft, the diameter of a small bedroom, its surface was cluttered with a myriad of dishes, antennas, and measuring devices, making it look like a spider. On the side of the craft, in one of the only small, open areas of the main body, were the letters ISMB followed by the number 6. Under the letters were a dozen tiny stencils of flags, indicating the countries that had helped in the joint project.

Out here, everything familiar seemed remote. Even the sun was nothing more than a distant hole of light in the massive field of stars, not even strong enough to cast real shadows, or supply any real warmth.

Not that ISMB 6 cared. It was one of seven buoys designed by American and Japanese engineers, and sent outward by a consortium of twelve countries, all believing that the heavens needed to be monitored as the seas were once monitored. The early scientists saw the ISMB system as a twofold project: the buoys would act as ways to gather information in deep space, and they would also serve as the markers of Earth's boundaries.

Surprisingly, the nations making up the consortium did not want to consider the boundary issue. To them, having boundaries meant defending them, sending weapons into space, perhaps even developing a fleet.

Such things are not necessary, the politicians said, unless there is a perceived threat. And of course, there was no threat and no hint of one ever appearing. The politicians believed we were alone. The scientists weren't sure.

So the consortium took its funding and built the seven buoys, launching them over a three-year period. Three buoys orbited the three largest planets in the solar system: Jupiter, Saturn, and Uranus. Two buoys were stationed over the sun's poles, holding positions above and below the plane of the solar system at a distance from the sun about the same as Mars. The seventh was completing the last year of its flight to catch and orbit Pluto.

All seven sent a constant stream of data Earthward, powered by batteries designed to last thirty years, even without solar reenergizing. The data was received at stations all over Earth and relayed to a classroom-sized area three floors under a complex outside of Sydney, Australia. The complex housed, at times, upwards of a hundred scientists from around the world, studying on-site the information being sent back from the buoys.

At the complex, ISMB 6 was the only buoy that hadn't been assigned a nickname. The nicknames suggested by the English-speaking scientists were too crude to use, even accidentally, at press conferences, and besides, the jokes did not translate well into the complex's other approved languages. As a result, the scientists who tried to create a shred of personality in their tools imagined ISMB 6 as a serious, unimaginative little worker, who could be relied upon at all times.

ISMB 6 wasn't aware of any of this. ISMB 6 really wasn't aware of anything. It simply went about its job, orbiting Uranus, sending telemetry back to Earth. It's entire mission was routine, as routine as a pioneering mission could be until ISMB 6's third orbit of the day, a day artificially measured in Earth time.

As ISMB 6 rose slightly above and beyond the dark, cold surface of Uranus, a blackness seemed to loom near the little craft, almost as if an invisible cloud of soot was filling space.

Then, with a weak, reflected flash of light from the darkness, all data stopped flowing toward Earth.

All instruments shut down.

ISMB 6, the faithful, hardworking little buoy, was dead.





August 16, 2017: 4:56 a.m. Pacific Daylight Time
240 Days Until Arrival

Orange and yellow bands of light cut through the morning mist as the sun peeked above the Coast Mountain Range. The morning air had a thick dampness that felt more appropriate to winter than to August, yet by noon the chill would be gone and the temperature would hit eighty.

Dr. Edwin Bradshaw ducked out of his tent and pulled his jacket tight around his shoulders, shivering slightly in the cool morning air. A mile to the west the Pacific Ocean rumbled as the surf hit the beach. He couldn't see the water--the tall pine trees that surrounded him prevented that--but he could hear the ocean. Its sound was constant, sometimes a low murmur and sometimes an angry explosive pounding. And sometimes this rumble.

He found that the ocean's constant conversation soothed him. He knew he would miss it, as he always did, when he had to go back to the Valley. He would miss all of this. He was lucky to have ended up here, in Oregon, rather than some podunk university somewhere, a place with no credentials and no budget to send him anywhere. Oregon State University liked his background, despite the controversies, and for the most part, the administration left him alone. He was able to choose his dig sites, and his assistants, and use university funds to continue his research. Fortunately for him, his research centered on the Native American tribes of the Oregon Coast, and he got to spend his summers, and an occasional winter, in what he considered to be the most beautiful place on Earth.

But he was getting older. The morning chill got into his bones these days. In September, he would turn sixty, and lately, he had begun to feel it. Sleeping in a tent, even with a thick sleeping bag and an air mattress (something he wouldn't have considered in the old days), left him stiff and sore. It took a few minutes of movement every morning before his joints stopped creaking.

No one stirred in the dozen other tents around the small clearing. Twenty-four Oregon State University students had signed up for this dig, more than any other summer. He was having trouble just keeping them all busy. The dig site wasn't big enough for all of them to work at once.

He grinned. He always woke before his students. On the second day of the dig, most of them had groaned their way through the work, and he hadn't felt old at all. These days students got no exercise, except for the federally mandated stuff in the public schools. Remotes, handheld computers, and the new personal assistants, which were little more than headless robots, ensured that anyone who wanted to spend his life in a chair could do so without any effort at all.

Bradshaw was an old-fashioned guy, old enough to remember when kids spent their summers outside playing baseball and kick the can until their parents forced them inside. Old enough to remember when color television was an unusual thing. Old enough to remember only three television channels--all free--and changing those channels by twisting a dial. When he was a little, little boy, it had taken him two hands to go from one channel to the other.

Now some of his students brought their own televisions with them, tiny things that attached to the wrist and changed channels with a soft verbal command. On the first day of the dig, he had Kelly Flynn, his graduate assistant, help him with what he called the Great Electronics Search. He confiscated most of his students' "necessities"--generally, watches that served as small computers, with television, radio, gaming, and Internet capability. He wanted them to focus on the lives of Native Americans before white settlers found this beautiful place. His theory was that if his students were able to think like the tribe that filled this area, they would do better when they searched through the earth for remnants of that life.

He hated the day of the Great Electronics Search. It made him the most unpopular man in camp for the first week of the dig. But he had done it often enough to know that by the end of the summer, his students would thank him. They would say things like "I really got to enjoy the woods, Doc. I'd never done that before."

And never would again, he would wager.

Most of those students would be angry if they knew that Bradshaw always brought his own electronic equipment to the dig site. They would be even more upset if they knew that he spent part of his evenings on-line, keeping track of current research. His favorite on-line site was a place he lurked, a place where some of the best archaeological minds of this generation argued theory in terms that were as far beyond these students as computers were beyond the tribes that once lived in this very spot. Bradshaw's only contribution to the site--for that matter, to most archaeological publications, print or on-line--was to list the location of his dig and the reason he was excavating the site.

Imagine his surprise when he was awakened this morning by the vibration of his watch against his wrist. He had only set that private computer alarm for messages marked urgent, be they phone, fax, or e-mail.

This one was an e-mail message, sent only a few hours after he had updated the dig information for the archaeological site. It was from Dr. Leo Cross. Cross was not the world's most famous archaeologist. Bradshaw had no respect for the famous people, the brand names, to whom recognition was more important than research. They usually let their grad students handle the hard work, and then took credit for the findings. No. Cross was the best-known archaeological historian among his peers. They all envied his intuitive ability. It was almost as if the earth spoke to him, revealing to him secrets that none of the others could ever hope to hear.

The thing that made Cross s...

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Kamis, 14 September 2017

Download Ebook 30-Minute EIT: How to beat the FE Exam without beating your head...By Joel Erway

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30-Minute EIT: How to beat the FE Exam without beating your head...By Joel Erway

Feeling overwhelmed by the amount of content in the Fundamentals of Engineering Exam? Has it been a while since you were in school that you're afraid you won't remember how to solve certain problems? Are you STUCK retaking the exam multiple times over and can't seem to get over the hump?

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I wanted to give you a quick feedback relating to your audio book. I think the way you explained the study techniques were unique. I have heard many a persons try to give their take on how to study for this exam. I think the bottom line is the test is very intimidating. Take the General (Others) exam for example. Of the 12-15 subjects they must study for, each subject comes from a text book 200-400 pages in number. It is hard to decipher what to study, even if NCEES give you the specifications. It then becomes a matter of fear that you didn’t study enough of the subject and it causes widespread panic. I know for me it is tough, I am a multi-tasker and I have been out for many years. I know the material, but I over-think the problem. Since it is not open book, it is hard to know when to pull the reins back on the thought process. I know this is one of your mistakes you mention in your audio book. But I think with the categorizing technique, I should be able to narrow down the subjects and maximize the questions. I really appreciate it." - Johnny

Before you spend hundreds of dollars on FE Exam review material and practice tests, you need to read (or listen to) "30-Minute EIT - How to beat the FE Exam without beating your head..."

Many people are afraid to take the test because they "don't have the time to study". That may be true, but hidden behind that is the real truth: afraid of failure. 30-Minute EIT's main focus is to help busy professionals prepare for the BEAST that is the FE Exam in the most EFFICIENT way possible. It's easy to get overwhelmed by all of the topics covered on the exam, and even easier to give up.

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In this book I'll show you:
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Professional Engineer licensure is a big deal. It's exclusive and elite. And we need it to advance our careers and be successful.

If you have taken the test and failed, read on.
If you are afraid you don't have enough time to prepare for the FE Exam, read on.
If you don't continue reading, you're already giving up.

  • Sales Rank: #183307 in eBooks
  • Published on: 2014-05-12
  • Released on: 2014-05-12
  • Format: Kindle eBook

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Selasa, 12 September 2017

PDF Ebook Q: Skills for Success 2E Reading and Writing Level 3 Student BookBy Colin S. Ward, Margot F. Gramer

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Q: Skills for Success, Second Edition is a six-level paired skills series that helps students to think critically and succeed academically. With new note-taking skills, an extended writing syllabus and authentic video in every unit, Q Second Edition equips students for academic success better than ever. Q Second Edition helps students to measure their progress, with clearly stated unit objectives that motivate students to achieve their language learning goals. And the online content, seamlessly integrated into the Student Book, allows teachers to truly implement blended learning into the classroom.

  • Sales Rank: #515080 in Books
  • Published on: 2014-12-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 10.00" l, 1.05 pounds
  • Binding: Paperback
  • 216 pages

About the Author
Colin S. Ward and Margot F. Gramer are well-respected in their field.

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Senin, 11 September 2017

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Sultry, Sweet or Sassy: The Professional Photographer's Guide to Boudoir Photography Techniques, by Kay Eskridge

Review

Easy to use, well written and informative, covering all aspects of the art form from set up to final production — JADE The International Erotic Art and Literature Magazine (UK)

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About the Author

Kay Eskridge of Phoenix, Arizona has owned and operated her studio since 1985. She is a member and Past President of the Arizona Professional Photography Association, serves as the SWPPA Representative for Arizona and is a member of Eastman Kodak’s ProTeam. She is PPA Certified, Master of Photography and a Photographic Craftsman and holds numerous awards, including the Arizona Photographer of the Year, the Kodak Gallery Elite Award, the Phoenix Portrait Photographer of the Year, and the Arizona Illustrative Photographer of the Year.

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Product details

Paperback: 128 pages

Publisher: Amherst Media (July 15, 2014)

Language: English

ISBN-10: 9781608957217

ISBN-13: 978-1608957217

ASIN: 1608957217

Product Dimensions:

7.5 x 0.2 x 10 inches

Shipping Weight: 13.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#536,300 in Books (See Top 100 in Books)

As a relatively experienced professional photographer, I like to think I can turn my hand to any job that presents itself to me. In that sense, I like a challenge. But when I was asked if I would do Boudoir, my initial response was 'sure, I can do that', shortly followed by 'oh heck, what have I got myself in to?'! Thanks to Kay's straightforward book, I was able to pull off some great photos that my client really liked. If you are looking to get started in this bourgeoning field, you can't go wrong with her guide.This book is a well-organized compendium of recipes for success, applicable to beginners through advanced photographers. What makes Kay's approach so accessible is her careful use of un-complicated lighting setups, together with inspired posing and prop suggestions. It's easy to get overwhelmed with elaborate equipment demands in some tutorials, but Kay keeps it really simple (only 4 different light source combinations, plus window light, are used throughout the entire book), emphasizing instead how much you can do with relatively few light sources and modifiers.During the course of our first session, I found myself turning to this book over and over again, not only to remind ourselves of what we had planned for the day, but also to bounce ideas off the client by showing the amazing sample images in the book as a source of inspiration for both of us. Being as the formulas were relatively simple, I soon was able to produce results as flattering as the sample images, and soon had the client's confidence.Boudoir photography turned out to be one of the most challenging assignments I had encountered, but with the help of Kay Eskridge's book, I was able to both overcome my anxiety, and produce some photographs that both my client and I can be proud of!

The photos are very good, the layout is very user friendly, and the explanations of how the photos were done are well explained. This is a great little book for the hobbyist or photo buffs wanting to learn more - certainly not an end-all volume on how to shoot boudoir photography, but well worth getting and there's good information in here along with some very nice work. I'd recommend this one, but wish it was a hardback book, just don't care much for paperbacks! For the money, it's plenty good enough.

This book is straight to point about how each photograph was set up and shot. Camera type, Lens used, F stop setting, shutter speed and lighting. I just received the book a few days ago so I have not done any of the covered shots myself but since the information is so direct I have faith that my photos will look great with a little trial and error.

Very good book and ideas.

Excellent excellent resource and reference could not put this book down so many explanationSo much help in areas that I had not considered. Very very good book.

As expected

Nothing more than a person telling you how they did some shots... Nothing really insightful or extremely useful...

This is an Excellent book that covers the Basics for Novice Photogs, and excellent source of creative concepts to shooting for advanced Photogs

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